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Kristian Lei

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Photo courtesy Russell Tanoue

Photo courtesy Russell Tanoue

Since age 19, Kristian Lei’s powerhouse vocals have dazzled audiences.

Her first gig as lead character Kim in Cameron Mackintosh Productions’ Miss Saigon in Germany quickly led to roles in productions in Hawaii, throughout the Mainland and abroad.

Ten years ago, Lei also chose to pursue another passion.

Inspired by younger brother Joshua, who has cerebral palsy, Lei, who appeared on MidWeek‘s Aug. 18, 2008, cover, established Honolulu Broadway Babies. The nonprofit organization seeks to inspire those who are developmentally challenged to attain confidence and skills, while also raising awareness and support for educational programs that cater to them.

“I just really wanted to help the community,” she says.

To celebrate its 10th anniversary, Honolulu Broadway Babies will present a special show, “AWOL: Art Without Limits.”

“We decided to go outside of the box of Broadway musicals,” explains Lei. The show, set to take the stage Aug. 21-23, will feature selections from popular Broadway plays. In line with the evening’s theme, there also will be performances of contemporary songs by artists such as Beyonce and John Legend.

This year, Honolulu Broadway Babies has teamed up with Best Buddies Hawaii, which partners non-disabled children in middle and high school with disabled peers. Together, they participate in activities in and out of the classroom.

“When I was that age, you know, there weren’t many of these kinds of programs that integrated the two together to have friendships,” says Lei. “The understanding was a little different. Sometimes, my brother would get teased, and I knew they didn’t understand, but this program actually educates everybody and allows them to interact.”

Performers volunteering their time for the effort include headliners from Disney’s Beauty and the Beast, Miss Saigon, Les Miserables, Rent, Wicked and more. Local celebrities lending their talent to the evening include Mihana Aluli Souza, Mahi Kekumu, Kip Wilborn and Shawn Anthony Thomsen and Lei herself. They will be joined by members of Better Buddies Hawaii and Lei’s brother. The group has been rehearsing since June 30, and Lei says everyone involved has enjoyed it.

“They teach us to be very grateful for what we have,” she says.

Despite her busy schedule, Lei continues to focus on her musical career. Her second album, On A Personal Note, was released last year.

Fans of Lei who want to see her on the stage can also rest assured that she has plans to return to it, just not quite yet.

“I’m enjoying being home in the Islands and being a new mom,” she says.

AWOL: Art Without Limits is slated for 7:30 p.m. Aug. 21-22 and 7 p.m. Aug. 23 at The Leeward Theatre. Tickets cost $40-$60 and may be purchased by calling 979-6679.


Jay Hartwell

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Photo courtesy Jay Hartwell

Photo courtesy Jay Hartwell

Even after spending 10 months in Vietnam, Jay Hartwell can speak barely a word of the country’s language. But the one thing he can say is that, while abroad, he conducted workshops and lectures in journalism for more than 1,400 students and professionals.

“It’s a regret,” he admits of not learning Vietnamese, “but the focus was to teach.”

Last August, MidWeek featured Hartwell, University of Hawaii at Manoa’s student media adviser for student newspaper Ka Leo O Hawaii, on the cover. At the time, he was preparing to travel to Vietnam with a grant through the Fulbright U.S. Scholar Program.

In June, he returned. “It was an exceptional experience to be able to focus on teaching journalism to students and professionals in a country that I knew little about,” he says, “and with people who wanted to know more about journalism and also about the United States.”

While there, Hartwell was based at Hue University of Sciences, though he also educated many others in cities throughout Vietnam and Myanmar, with the help of an “exceptional” translator. Students completed workshops on topics ranging from design and photography to video journalism, each showing a dedication to honing their craft.

“Their desire to learn and their enthusiasm was just like the best students here,” he says. “It was just a lot of fun to work with them.”

After an almost yearlong stay, Hartwell can best describe the cultural experience as “very different.”

“I was told by somebody who had been working in Vietnam for decades that the country would remain a mystery no matter how many years we would spend there, and I can see that being true,” he says.

Back at Ka Leo, Hartwell says the student newspaper will be working to adjust from a paper that formerly printed three times a week to a weekly publication. In a time when news is easily accessible on mobile devices, Hartwell says Ka Leo, like many other publications, will direct its focus to addressing its readers’ digital needs.

“When you ask (students) where they get their news, they pull out their laptops or their smartphones, and the traditional ways of getting information are no longer working for students in Hawaii or students in Vietnam,” he says.

In the future, Hartwell hopes to facilitate work opportunities with contacts established in Vietnam for students locally and abroad.

“There’s so much work related to education in journalism that could not be accomplished in the 10 months I was there,” he says.

“I would like to go back and continue to develop those, but right now my focus is here and on my students in Manoa.”

Marlene Sai

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Nathalie Walker photo nwalker@midweek.com

Nathalie Walker photo nwalker@midweek.com

For 54 years, Marlene Sai has dazzled audiences locally and abroad. Since graduating high school and being discovered by legendary entertainer Don Ho, Sai has enjoyed a robust career in Hawaii’s music industry.

“It’s nice, you know,” she says. “I started very young, so I got to know a lot of people and I was privileged to perform with them, get to know them and learn from them.”

Her work throughout the years has led to esteemed recognition as a Na Hoku Hanohano Lifetime Achievement Award recipient.

In 2007, she was inducted into Hawaiian Music Hall of Fame by Hawaiian Music Foundation.

“It is such a nice honor,” she says of the accolades she has received. “It’s your peers who are recognizing you for your talents and musical contributions.”

These days, Sai, who appeared on a MidWeek cover in April 1986, maintains a busy schedule, guest-starring on TV shows including Hawaii Five-0, sitting on boards for various organizations and working as a legislative assistant for state Sen. Brickwood Galuteria.

Most recently she appeared in The Haumana. Directed by Keo Woolford, the film tells the story of students of hula and its cultural significance, and went on to receive countless awards at various film festivals.

“I try to stay busy,” she says. “As much as I can, I like to give back; I’ve been fortunate in my career.”

Together, she and Galuteria established Kupuna Power in 2012. An annual event, Kupuna Power brings together seniors in the community to provide them with relevant information on topics ranging from avoiding scams to health issues in a fun environment, complete with entertainment by Sai and other local entertainers.

“It’s entertainment, information, exercise and just enjoyment,” Sai explains. This month, past participants Tony Silva of Da Braddahs, Jimmy Borges and Danny Kaleikini will join Sai and new honoree Melveen Leed, among other performers, to bring Kupuna Power to Hawaii Seniors’ Fair — The Good Life Expo Sept. 26-28 at Blaisdell Center.

Sai’s work with Kupuna Power and other organizations stems from a simple desire to express gratitude.

“All of a sudden, here I am in the kupuna role, and this is my means of giving back for all that I’ve appreciated,” she says.

Ever the entertainer, Sai says she’s considering a new album, though it’s currently on the back burner.

In the meantime, she maintains a close relationship with her daughters and three grandchildren.

“I enjoy being a grandmother and being with my grandchildren and family,” she says. “I love spending time with my family.”

Evan Leong

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Nathalie Walker photo

Nathalie Walker photo

Two things are certain about Evan Leong: He likes business and he likes to give back.

After he and wife Kari quickly achieved success with the launch of Bubble Tea Supply in 2001, Leong, who appeared on MidWeek‘s June 1, 2007, cover, began looking for a way to marry business savvy with community involvement. It was in 2005 that he established Greater Good Radio, which eventually led to Greater Good TV and a book released in 2007. The popular shows featured interviews with successful business leaders, who shared their experiences in the field and the importance of community service.

“All of that was designed basically to encourage businesspeople to start giving back to the community and getting involved in leadership positions,” he says.

His newest project, Kokua.org, is an extension of Greater Good Inc., and seeks to unite individuals from various professions.

“Whether it’s business or nonprofit, or military or government, (we) try to focus on building relationships, cross-sector, as well as help each other solve problems,” he explains.

In working with people involved in nonprofits, the group discerned that aside from fundraising, many organizations struggled with meeting marketing needs. To help with this, which Leong says ultimately will positively impact fundraising efforts, Kokua.org will sponsor its first event next month.

Presented by Proservice Hawaii with co-sponsor Box Jelly, AD UP Hawaii is a mashup of Startup Weekend and Ad2, and is helmed by “fearless leader” Tori Abe, director of marketing at Hospice Hawaii. The two-day event begins Oct. 3 with a mixer at Honolulu Beer Works. Participants will join four teams representing Hawaii Literacy, Habitat for Humanity, Kumu Kahua Theatre and Good Beginnings Alliance, with representatives from local ad agencies, as well as other marketing professionals — all volunteering their time to create and complete a marketing campaign in only nine hours.

The next day, at Box Jelly, in addition to creating campaigns, three workshops on branding, PR and social media will be offered and are open to non-participants who register online.

“We’re really looking at ways to bring the community together to do things that are beneficial to the community, where people can utilize their skill set,” says Leong. “Instead of me hitting you up for money, I’d rather have you volunteer your skill set.”

His desire to work closely with the community is rooted in a simple belief that everyone matters.

“I think that, when you realize and see how many people it actually takes to kind of hold a community together, I mean, it’s a lot — and that could be anyone,” he says. “We’re just trying to do our part, and I think that things like this bring people together and everybody kind of wins.”

For more information on AD UP Hawaii and to register for its workshops, visit aduphawaii.com. Greater Good Radio shows still are available online and may be accessed at greatergoodradio.com. For more information on Leong, visit Kokua.org.

Cheesa Laureta

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Photo from Ernesto Casillas

Photo from Ernesto Casillas

With a father who played music and performed in talent shows in his spare time, you could say that Cheesa Laureta’s talent as a singer came naturally.

But her father’s belief that a career in music would mean financial instability sometimes was a point of contention in their relationship.

Luckily, he eventually came around.

“Over the years, he accepted it — or he had to learn how to accept it,” Laureta says with a laugh.

Two years ago, the local girl appeared on NBC’s popular The Voice. Competing on CeeLo Green’s team, she made it as far as the quarterfinals before being eliminated.

“I may not have made it as far as I wanted to, I may not have won the show, but I definitely made a lot of great friends and a good network,” she says.

Despite competing musically on the show, Laureta’s take away from her experiences was more about discovering herself.

“I think the biggest lesson that I’ve learned from The Voice was just to really find who I was and be comfortable with it, and to just be yourself and really own your artistry and your craft,” she says.

Since then, Laureta, who appeared on MidWeek‘s May 20, 2012, cover, released an album, Naked, in 2013. She also has kept busy with various musical performances, recently touring with Charice and also providing background vocals for musicians such as Deborah Cox.

Up next for Laureta is an EP she hopes to release next year. Though still untitled, she hints that it will be different from what her fans have heard in the past.

“I think it is going to be a little more throwback ’90s,” she says. “That’s what I’m highly influenced by.”

Not surprisingly, musical talent in the Laureta family also extends to her brother Troy — whom Laureta affectionately calls her “bro-mager.” Together, they are working on Laureta’s upcoming EP.

At 16, Laureta and her family moved from Hawaii to Los Angeles. Though she is not able to return home as frequently as she would like, among Laureta’s cherished island memories, she misses those close to her the most.

“Most importantly, I miss my friends and my family,” she says. “I think that’s what made it what it is — just the people you surround yourself with in Hawaii.”

While she focuses on immersing herself in the music industry, moving back to Hawaii at some point is not entirely out of the question for Laureta.

“If I do start a family, I definitely would want my kids to know and see where I grew up and the culture,” she says. “I feel like Hawaii has one of the most amazing cultures because we’re so filled with different types of people.”

Fans who would like to keep up with Laureta may find her on YouTube, Twitter and Instagram @CheesyFbaby.

Josh Feldman

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Nathalie Walker photo

Nathalie Walker photo

Guests recently gathered at a private residence in Nuuanu to honor actress Mariska Hargitay during a “resort chic” picnic dinner celebrating Joyful Heart Foundation’s 10th anniversary. The only caveat: In keeping with the night’s theme, and as an ode to one of its sponsors, those in attendance were encouraged to arrive wearing new or vintage Tori Richard attire.

The result was not only a colorful lookbook of Tori Richard styles past and present, but a reflection of the company’s transcendence as a lifestyle resort brand since it first began nearly 60 years ago.

Today, Tori Richard has multiple locations on Oahu, as well as on Hawaii island, Maui and Kauai. In June, the company opened its first Mainland stores in Cape Cod and Myrtle Beach,with plans to expand to Florida next year.

“We’re so much more diverse today than we’ve ever been, but the common thread is we still — we’re a resort apparel company,” says Tori Richard president and CEO Josh Feldman. “That’s probably the only thing that’s constant — what we fundamentally are never changes.”

Since Feldman appeared on MidWeek‘s Oct. 18, 2006, cover, he says Tori Richard also has renewed its commitment to manufacturing its clothing in Hawaii.

“By unit volume, over half of our production last year was actually cut and sewn in Hawaii,” he says.

In stores, shoppers will soon begin to find items from its holiday collection. Avid fans can expect to see new items every month, as Feldman says the company likes to offer something different on a regular basis.

As a reflection of its timeless wearability, Tori Richards often will bring back past patterns and designs — not a difficult task considering the company’s archives house close to 30,000 prints.

Current styles and trends are married seamlessly with each revived print, making each design relevant despite its vintage roots.

“We don’t call a lot of attention to it, we want it to stand on its own merits, not as a novelty,” says Feldman.

In his office, Feldman embodies the Tori Richard brand, complete with furniture and decor that create an ambiance similar to what shoppers experience entering any of the company’s stores.

Though he is coy about what’s in store for Tori Richard’s future, Feldman is certain the company will continue to expand its women’s line. It’s especially exciting, he says, because the company began as a women’s clothing company.

“A whole generation has grown up here thinking Tori Richard in Hawaii is an aloha shirt company,” he says. “That’s a huge part of what we do, but it’s never been what we’re about.

“But we’re obviously proud to make aloha shirts,” he adds.

For more information, visit toririchard.com.

Patrick Okubo

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Photo courtesy Patrick Okubo

Photo courtesy Patrick Okubo

When Patrick Okubo appeared on MidWeek‘s May 2, 2012, cover, he had just received his master sommelier certificate. At the time, he was one of only three people in the state, including MidWeek‘s own Roberto Viernes, to hold the prestigious title.

Now, a couple years later, that number hasn’t increased.

But with a desire to educate others, Okubo wants to mentor and train future master sommeliers to enhance the small community.

“It feels good, overall, that I’m part of an exclusive club,” he says. “But on the other hand, it’s like you’re out here in Hawaii, there’s only three of us — we need more of a network; we need more of us.”

Currently, three students are under his tutelage, hoping to succeed in the test that took Okubo two tries before passing. He also leads several classes on a monthly basis.

“I’m doing so much training this year at every level,” he says.

His day job also is committed to doing what he loves. As fine-wine educator for Young’s Market Company, Okubo works with just about everyone — from staff in hotels and restaurants to co-workers and consumers — to get them excited about wine. He participates in wine dinners each month, and during the holidays you even may find him selling wine at Tamura’s Fine Wines and Liquors.

As an educator, Okubo enjoys teaching any audience. In restaurants, he is able to see people new to wine dive in and progress. With consumers, Okubo is able to interact with those who are actually drinking the wine.

“To create the experience for them by telling them a story about the wine and teaching them something about the wine — that increases their taste or the enjoyment of the wine because of the experience,” he says. “That’s what I get out of it.”

He first began working with wine in 2006. His expertise in the topic is infectious and engaging, as he explains that he usually can tell exactly what type of wine a person would prefer. Someone who likes plain espresso, for instance, would enjoy a Cabernet Sauvignon, while another who prefers something sweeter, like AriZona green tea, might want a Riesling.

“I’m, like, 90 percent right,” he says with a laugh.

One of the reasons Okubo wanted to get into wine was to travel. His job with Young’s Market Company has allowed him to do that annually, having sent him to Chile, Italy and most recently France.

“It’s a dream come true,” he says.

Much like the actual traveling he gets to do, what he loves most about wine is its ability to transport a person.

“It takes you someplace,” he says. “Through that glass, you can see someplace else in the world.

“Whether that be thinking about some little village or some town, the culture, the food — it takes you someplace else.”

Egan Inoue

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Photo from Jose Rahr

Photo from Jose Rahr

Before Egan Inoue won two racquetball World Championships, he almost quit.

For a year, Inoue traveled throughout the United States, competing in matches and losing every single one. When he returned home, he broke all of his racquets.

“I’ll never forget how hard that first year was,” he says.

But one night he received a call from the U.S. racquetball team’s coach with an offer to represent the nation in the World Championships.

Inoue would play as an alternate, but after a losing season, his confidence in his ability was low.

Then, his dad told him: “You dreamt about this all your life. Don’t give up your dream now just because of your ego.”

In the end, everything worked out. After other players suffered injuries, Inoue was able to play and eventually won the World Championship.

“You should never give up because you never know when the tide is going to change for the positive,” he advises.

Inoue, who appeared on MidWeek‘s April 8, 2009, cover, shares this story and similar ones regularly at his speaking engagements. Most people, he says, assume his life has been about only the many successes he has achieved.

The response he has received inspired him to compile his stories in a book that will be released sometime before Christmas. Titled Becoming Relentless, it is “a leadership blueprint to developing your world-champion mindset.”

The former MMA five-time world champ continues to train a few fighters, though the sport itself has never been his main focus.

“I never enjoyed fighting — I just don’t like it,” he admits with a laugh.

He remains heavily involved with fitness, and five years ago he began offering Egan’s Fit Body Bootcamp in Honolulu, Kailua and Waipio. Each session takes place indoors, and every day of the week is devoted to a different type of exercise. Workouts are only 30 minutes long, which Inoue says has been shown to give the most “bang for your buck.”

Beyond fitness, boot camp participants receive nutrition consultations and are regularly checked on.

“It’s not just a boot camp,” he explains. “A lifestyle change is what we try to get people to do.”

His latest passion has been working with corporations to promote health and fitness. This, he believes, will not only lead to healthier employees, but also improved productivity and an overall positive working environment.

To say the father of five is busy would be an understatement. But, for Inouye, working with people and seeing their health and confidence transform has been more satisfying than any title he ever has won.

“It’s a different feeling,” he says. “I can’t even tell you how good it feels to help people out like that.”


Perry & Price

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Perry and Price on 1990, 1996 and 2008 'MidWeek' covers

Perry and Price on 1990, 1996 and 2008 ‘MidWeek’ covers

In KSSK’s Iwilei studio, Larry Price sits in front of a computer talking to Michael W. Perry via Skype. Perry is on vacation in California, working from a studio there.

In the 31 years the duo has been together on the air, technology, they say, has greatly impacted their work.

“Now, the technology is just bizarre,” says Perry. “When we started this program, there was no way we could do radio from a cruise ship at sea, and now we do them a couple times a year.”

Plus, they still host The Perry & Price Show at Jade Dynasty. They also take the show to Vegas annually.

“People keep coming on Saturday mornings,” says Perry. “We just can’t figure this out.”

“It’s because they like Chinese food,” quips Price.

In all seriousness, their popularity with listeners has endured much longer than that of most morning DJs, and it doesn’t discriminate against age — a success they credit to their listeners.

“I don’t think it’s any magic on our part, you know,” says Price. “They are the stars of our show, in our humble opinion.”

Every morning, the two convene over breakfast at Zippy’s to discuss everything going on for that day. Then, for five hours, “Perry on the left and Price on the right” engage and interact with listeners, who always keep them on their toes.

“People call us and tell us what they’re upset about or what they absolutely are crazy about, and we find out what topic it is,” explains Perry. “Regardless of what we think, we find out what’s important to them.”

“I’m constantly amazed at how funny they are,” adds Price. “They’re way funnier than we are, I think.”

Throughout their storied careers, Perry and Price have appeared on four MidWeek covers together — the first in 1990, and again in 1996, 2003 and 2008.

To celebrate more than 30 years together, KHNL will rebroadcast an hour-long TV special at 7 p.m. Oct. 26. Narrated by Linda Coble, Perry & Price: Voices of Hawaii includes everything from interviews with people who have worked with them in the past to photos of their pre-radio stardom days and even behind-the-scenes footage.

“They were kind to us, and it’s quite an honor,” says Perry, “very much an honor.” A book documenting their lives and careers, titled Perry on the Left, Price on the Right: Thirty Years with the Odd Couple of Island Radio, written by Larry Fleece, also is expected to be released soon.

“To me, it’s scary,” admits Price of the attention they are receiving with the book and TV special.

“Totally scary, he’s right,” adds Perry. “Gosh, it’s scary.”

Fans of the show shouldn’t worry about Perry and Price slowing down anytime soon.

“My grandchildren still need rubber slippers,” jokes Perry in the TV special. “I ain’t going anywhere,” says Price.

Patricia Tam

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Photo courtesy Halekulani Corporation

Photo courtesy Halekulani Corporation

When Patricia Tam was named general manager of Halekulani Corporation’s Waikiki Parc Hotel in 1987, she was the first woman in the state to hold the title. But it isn’t a message about breaking the glass ceiling that she wants people to remember.

“I don’t like to look at it as a female being a female general manager, but being a local general manager for an international tourism industry right here in Hawaii,” she says.

“I thought that was the bigger message … that there was room for local people to participate right in the hospitality industry in a big way.”

This July 5, Tam celebrated 31 years with Halekulani Corp., having first joined the company a year before the resort’s official reopening under then-new owner Mitsui Fudosan Co. Ltd.

“There is nothing like the experience of opening a brand new hotel,” she says. “Not only the excitement, the newness, but the legacy and tradition of the business going forward — nobody can take that away from you and you can’t build that, you can’t buy that.”

She began with Halekulani Corp. in middle management before working her way to her current corporate position as chief executive adviser, to which she was promoted earlier this year. Beyond the relationships she has formed with those she works with (about 85 of whom began at Halekulani the same time), her loyalty to Halekulani lies in a shared belief of its business values.

“I want to say easily that it was their core concept and philosophy of always striving to be the best for others and for yourself,” she says.

Officially, Tam, who appeared on MidWeek‘s Aug. 7, 1996, cover, assists Halekulani’s corporate officers and works closely with COO Peter Shaindlin. Her extensive background and experience with the company, however, really enable Tam to support all facets of Halekulani Corp.

In her current position, she focuses on enhancing the company’s relationships with community partners, including Bishop Museum, Honolulu Museum of Art, Hawaii Theatre, Hawaii Symphony Orchestra and others, in addition to relationships with nonprofits such as Aloha United Way, Hawaii Foodbank and American Red Cross, Hawaii chapter.

“I think it’s a natural part of our DNA of what we stand for,” she says. “At the end of the day, to do good business in the cultural environment that we live in is critical to success.”

Up next for Tam and the luxury resort: In 2017, Halekulani will celebrate 100 years since its historical inception in 1917.

“Like all good luxury properties, you have to continue to evolve, but evolve in a way that speaks to the continued legacy of what you’re trying to accomplish, or what you set out to accomplish when you were starting,” she says, “and yet be relevant and be competitive and be important to the guests, and be respectful of their new needs, because that’s evolved.”

Right in the heart of Waikiki, Halekulani is surrounded by a variety of hotels and resorts to choose from. But other than friendly staff, she feels it’s Halekulani’s ability to connect with guests that allows it to stand out.

“(There) is that intangible spirit that actually, I feel you can only have if you understand what hospitality stands for,” she says. “And I think Halekulani is the epitome of what hospitality stands for.”

Darryl Vincent

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Photo from Michael Burr

Photo from Michael Burr

Eleven years ago, Darryl Vincent began his career with U.S. VETS.

He had been working as a clinical supervisor with Institute for Human Services. But after meeting with the U.S. VETS’ then-chief operation officer, who was recruiting at the time, the former Marine realized it was the perfect fit.

“To be honest with you, it was a luck of the draw, meeting a company that was working in the field that I was choosing to work in already,” he says, “and that I had some … affinity and passion for it anyway, given that I served in the military as well.”

Today, Vincent, who appeared on MidWeek‘s June 7, 2006, cover, serves as COO, supervising the organization’s executive directors at 11 different sites in six states and the District of Columbia.

And though he says there are challenges dealing with bureaucracy issues and funding, his job also is rewarding.

“I know that every day I am blessed to say that I’m … playing my part in helping people who need help,” he says. “That’s what it’s all about for us.”

The organization continues to address issues of homelessness for veterans. Recent initiatives such as Housing First place homeless veterans directly into permanent housing, versus previous programs in which they were first taken to transitional homes.

Also newly launched, Supportive Services for Veteran Families takes veterans and their families directly off streets and into homes with financial assistance. Counseling and other education also are provided to ensure individual stability.

Above all, U.S. VETS’ newer programs seek to address the changing needs of veterans, to provide more personalized services.

“If I could summarize it, it is adjusting our existing transitional programs to meet the needs of the homeless, so permanent housing becomes available more quickly, sooner rather than later,” he says.

To raise some needed funds, U.S. VETS hosts its 10th annual Patriotic Glow 5K Run Saturday, Nov. 15, at Pointer Field in Kapolei. Activities begin at 4 p.m. and the run starts at 6. The evening includes a “battle of the branches,” during which different military branches will compete for a perpetual trophy, as well as food trucks, entertainment and prizes. Participants are encouraged to dress accordingly by wearing items that will glow with the aid of lighting along the path.

In coming years, Vincent says prevention will be key, especially with the downsizing of military personnel in Hawaii.

“We don’t want them coming out needing our program,” he says, noting that the organization hopes to work with the Department of Defense and Veteran Affairs to ensure those discharged from the military immediately benefit from U.S. VETS’ services.

“Let’s all work together to make sure veterans have a place to go before they even need a homeless program,” he adds.

For more information on the Patriotic Glow 5K Run, visit usvetsinc.org/barberspoint. Registration costs $55 for individuals ($40 online) or $45 for military ($35 online); free for children under age 10.

Amy Hanaiali’i and Willie K

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Photo courtesy Monique Feil/Pae ‘ Āina Communications/Island Soul Entertainment

Photo courtesy Monique Feil/Pae ‘ Āina Communications/Island Soul Entertainment

Amy Hanaiali’i and Willie K are just as charismatic and friendly in person as they appear to be on stage. Fans who have followed the duo since their earlier days would never guess it’s been a decade since their last album together.

But here they are, 10 years later, with Amy and Willie K Reunion released this week.

Chalk it up to timing, they say. “You grow up, you change,” says Hanaiali’i. “We just happened to be at the right time and the right place.”

Both Maui residents, they worked on the album in Willie’s home studio on the Valley Isle. It took them a year to complete it, and although it had been a while since their last project together, working with one another came with ease.

“He and I, from the past, have a very unique writing team,” says Hanaiali’i. “I know, when I write a song, that he’s going to do it the way I’m hearing it.

“And it’s simple — very, very simple.”

With Reunion, the pair says they have created a new Hawaiian sound. Though it incorporates many musical elements used in past music, on this new album Hanaiali’i and Willie sought to push the envelope a little.

“We’re stepping beyond the hula skirts,” explains Willie. “There’s a sound that people relate Hawaii to,” he adds. “There’s a certain sound that everybody can understand from around the world.

“We’re trying to get off that sound; we’re trying to redirect that way of thinking.”

Hanaiali’i describes it as a “world sound.” It was a natural departure from their more classic hits, since both artists enjoy all genres of music. This new musical style will become more apparent in future songs and albums they plan to record together — the 15-track Reunion represents only a fraction of more than 56 songs they wrote for this initial project.

The buzz around this album has been growing steadily. So much so, Hanaiali’i says, that Costco even is reintroducing its music section so that it can carry Reunion. This, she says, is hopeful for others in the same genre.

“Thank god Hawaiian music is coming back,” she says.

At a time when social media has given society the ability to connect with virtually anyone, Hanaiali’i has used it to their advantage to connect with fans and keep them in the loop. Last month, she posted to her Facebook page a 23-second video of Willie playing Michael Jackson’s Thriller. It got 650 likes, 45 shares and, according to Hanaiali’i, 30,000 views.

“I like to have instant contact with my fans,” she says. “What an instant way to your fans — and they love being part of that; they love being part of the process.”

Up next, at the beginning of next year, the duo plans to go on tour. One thing to remember when listening to Reunion, says Willie: “Enjoy this music with an open mind.”

For more information about “Amy and Willie K Reunion,” visit amyandwillie.com.

Emme Tomimbang

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Nathalie Walker photo

Nathalie Walker photo

Last May, veteran broadcast journalist Emme Tomimbang shared with MidWeek readers that it was her Rottweiler Rufus (pictured) who ultimately saved her life when she suffered a brain aneurysm and collapsed at home. Rufus, she said, had the foresight to wake Tomimbang and help her crawl to a phone to call for help.

This came at a point in Tomimbang’s life when she was engrossed with caring for husband Jim Burns, who had been diagnosed with stage 4 throat cancer. Rufus, according to Tomimbang, was like a caregiver to the couple, and inMidWeek‘s cover story, appeared alongside his parents in each photo.

Sadly, Rufus passed away a month ago, almost 11 years old at the time. “Because of him, I have a second life, and I have to live it in honor of him,” says Tomimbang.

“I miss him terribly,” she laments. “But I’m sure there’s another little Rufus running around, waiting to be adopted.”

Today, the couple is doing “good.” Survivorship, she says, is a lifelong commitment. Still, it hasn’t stopped her from returning to TV after an almost three-year hiatus. Her latest Emme’s Island Moments special, “Haiyan … After the Storm,” will air Thanksgiving Day on KGMB.

Inspiration for this project was personal. On the night Haiyan ravaged the Philippines, Tomimbang was being honored at Filipino Community Center. Though she was born in Hawaii, Tomimbang’s parents both came from the Visayas.

“I was particularly concerned about what was going on and worried that same night,” she says. “I promised myself I would help out with some kind of fundraiser down the road.”

And she did. In December, Tomimbang produced Aloha For Philippines Mahalo Concert, uniting performers Little Albert, Kristian Lei, Jasmine Trias and others whose families were from the same area. The night, which included a matching donation from Consuelo Foundation, raised $3.5 million.

The hour-long special documents Tomimbang’s travels to hardest-hit areas like Tacloban and Samar, and shows how the money raised during the concert is now being used.

Her experience working on the special is one Tomimbang says she is still grappling with. Though she says there is joy and hope in seeing the city rebuild itself, there also is sorrow for those who lost loved ones.

“I just was struck that, you know, as much as I can start over again, how difficult it will be for them emotionally for the rest of their lives,” she says.

But more importantly, Tomimbang witnessed the community’s resiliency and the willingness of countries throughout the world to extend support.

“I am very proud to present ‘Haiyan … After the Storm’ to let people know how the survivors are doing in the aftermath of one of the biggest storms to make landfall,” she says.

“(There are) so many lessons to learn here about life, natural disasters and how to persevere and move forward.”

“Haiyan … After the Storm” airs Thursday, Nov. 27, at 9 p.m. on KGMB. For more information, visit emmeinc.com.

Tom Moffatt

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Lawrence Tabudlo photo

Lawrence Tabudlo photo

Much like the countless stars he has brought to Hawaii’s stages throughout the years, there’s just something about Tom Moffatt that captures an audience.

It’s a quality that recently has been affirmed by Nielsen , which rated his Saturday morning show on 107.9 Kool Gold as having the most listeners in the Honolulu area among all demographics ages 12 and older.

Stunning, when you consider that Moffatt’s show specifically features oldies music.

“It was a thrill,” he says. “I think the younger people like to hear about how some of these artists developed and how the music developed to where it is today,” he says of the younger listeners his show attracts.

His career in radio dates back to the 1950s, and the format of his current show is one that he has perfected over the decades. Features like “Uncle Tom’s Datebook” and “Uncle Tom’s Treasure Hunt,” he says, have remained popular with listeners. Plus, Moffatt says he makes it a point to answer as many phone calls and play as many requests as he is able to.

“I find it interesting, and I guess a lot of folks do, too,” he says.

Beyond his role as a radio DJ, Moffatt, who last appeared on MidWeek‘s Jan. 30, 2013, cover, has had a hand in more than one facet of Hawaii’s entertainment industry.

As a concert promoter, he has worked with nearly everyone: Elvis Presley, The Jacksons, Rod Stewart, Frankie Lyman, The Eagles, The Who, Journey, The Rolling Stones, James Taylor, The Everly Brothers, The Four Preps, The Platters, Sam Cooke, Buddy Holly and the Crickets, The Beach Boys, Elton John — the list is endless.

Some have had particular importance to Moffatt, like Bruno Mars’ sold-out, three-night performance this past summer.

Since the ’90s, Moffatt often called upon The Lovenotes to open shows. Helmed by Peter Hernandez Sr., the show also famously featured a young Mars, Peter’s son.

“He did his Little Elvis bit, little Bruno,” Moffatt recalls. “And to see him develop into what he is today is such a thrill.”

Aside from musical acts, Moffatt also has brought in shows such as Stars on Ice with Kristie Yamaguchi, ballets, and sporting events like World Championship Boxing. In fact, after Dwayne Johnson (The Rock) went into professional wrestling, it was Moffatt who brought him home for his first wrestling event.

“I look forward to bringing more in,” says Moffatt.

Others, especially those reading this, may even know Moffatt best from MidWeek. He has penned Uncle Tom’s Gabbin’ since February 2006.

Still, Moffatt admits, radio continues to be his favorite. “It’s what I’ve done most of my life,” he explains. “I enjoy the communication with people — I’m on the air and they’re calling. It’s just fun.”

Tune in to Tom Moffatt’s “Rock and Roll Drive In” Saturdays, from 8 a.m. to noon on 107.9 Kool Gold.

Aileen Deese

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Nathalie Walker photo

Nathalie Walker photo

Elmo, Barney, Pikachu, Minions, a Snow Queen and princesses — these are only a few on a long list of costumed characters set to make an appearance during Prevent Child Abuse Hawaii’s 28th annual Brunch With Santa.

“It’s a lot of fun,” says executive director Aileen Deese.

The event is slated for Saturday, Dec. 13, from 10 a.m. to 2 p.m. at Pomaikai Ballrooms in Dole Cannery, and tickets still are available.

The family-friendly brunch will include an all-you-can-eat buffet, picture taking with Santa, games, entertainment by local group Island Storm and more.

Proceeds will go back to the organization in support of its mission: “To prevent child abuse through education, public awareness and advocacy, which promote positive parenting and healthy families where children are valued and loved.”

The organization has deep roots in Hawaii’s community, dating back to 1982, when a group of like-minded individuals who shared an interest in helping children formed it. As the only agency that focuses solely on the prevention of abuse and neglect of children, Prevent Child Abuse Hawaii works with the general public as a resource of information and support. The organization estimates that it annually reaches about 50,000 people on a face-to-face basis and roughly 500,000 through other public-awareness campaigns in print and other media.

Deese has been with Prevent Child Abuse Hawaii since 1991 as its program director, and took over as executive director last year.

“I love kids, and was really drawn to the mission of the agency of Prevent Child Abuse Hawaii, and how the work is to prevent child abuse before it occurs in the family and in homes,” she explains.

Her experience spans 38 years, and in her current position Deese leads staff and volunteers in the prevention of child abuse and neglect. Her reason for doing so is really a simple one.

“I have a real passion for this field of work,” Deese says.

Abuse and neglect, she says, aren’t only physical. They also can pertain to parents or caregivers who do not properly feed children or prevent them from obtaining medical care and going to school regularly. It’s a widespread issue here, largely because of busy working parents.

And though others may be quick to judge, Deese cautions that there is no set criteria for families who fall into these patterns.

“People think, ‘well, it’s only poor people,’” she says. “But children are abused and neglected by parents or caregivers or adults from all incomes and nationalities in Hawaii.”

For more information on Prevent Child Abuse Hawaii, and to donate or get involved, visit preventchildabusehawaii.org or call 951-0200. Tickets to Brunch With Santa cost $35 for general admission, $25 for children ages 2-9; free for children under age 2.


Ginai

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Photo from Kicka Witte

Photo from Kicka Witte

About three years ago, Ginai recorded a song she wrote called Endless Christmas. Thinking it would make a great title for an album, she produced a six-song EP. Only, instead of selling the CD, she gave it away as gifts and stocking stuffers.

One night, while performing and giving away her EP at Gordon Biersch, she remembers someone in the audience saying, “She’s crazy.”

Strange, yes, for a musician to simply give away her music, but not entirely out of the question for those who may know Ginai and her generous spirit — it only takes a moment to feel like you’ve been lifelong friends.

It did get her thinking, though, about why she wanted to complete a Christmas album in the first place.

“This is something that will stand in testimony of my artistry year after year. What do I want it to say?” she muses. “I wanted it to say that I love family and I love friends.”

This couldn’t be any more obvious with her finished 14-track album, Endless Christmas, released just in time for the holidays.

Fans will hear memorable classics such as Jingle Bells and Have Yourself A Merry Little Christmas sung with local musicians Willie K, Jordan Segundo, Dita Holifield and many others. The collaborations, she says, are the result of friendships with artists in the industry who mean a lot to her.

“There’s so many more out there I didn’t get to include,” she says.

Also on the album are four songs written by Ginai, who appeared on MidWeek‘s March 3, 2006, cover. One in particular, Who Threw Santa Claus Under the Bus, is her response to the secularization of Christmas.

Who Threw Santa Claus Under the Bus takes a stab at all the different aspects of society, where our Christian selves are being undermined and society itself is being undermined,” she explains.

The song features a narrative with notable Little Richard impersonator Garry Moore playing the role of Papa, and Ginai’s son Aidan providing vocals for Boy. Patrick Von Wiegandt and Shari Lynn also lend their talents as Santa and Teacher, respectively.

It is an eclectic album that showcases Ginai’s vocals in a mix of both classic and contemporary favorites, done in an array of musical stylings.

“Musically speaking, I really wanted to experience as many musical styles and genres as I could,” she says.

Her ability to seamlessly meld genres is a talent she has cultivated in her more than 35 years as a singer and entertainer. And while others may see her many different forays as negative or unfocused, Ginai thinks otherwise.

“To me, if you’re not experiencing everything that you can in this one lifetime, then you’re wasting this one lifetime,” she says.

For more information on Ginai and updates on performances and more, visit ginai.com or find her on Facebook.

Billy V

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Bodie Collins photo

Bodie Collins photo

When William Van Osdol was in sixth grade, he began listening to radio personalities like Kamasami Kong, Ron Jacobs and Danielle Tucker. It was then that he realized one thing: This was exactly what he wanted to do.

“I wanted to have the fun they were having every day,” he recalls.

And he did. For 31 years, Van Osdol, better known by his moniker Billy V, has entertained listeners with his charismatic personality and equally charming voice, most recently hosting “Na‘au Therapy” in the mornings on Hawaiian 105 KINE.

As of Dec. 1, however, fans have had to look for Van Osdol elsewhere, as the date marked his official departure from the station.

“They were going to move in a slightly different direction and so … they gave me the opportunity to explore other options,” he says.

“The last 18 months with Mele Apana was the best time of the 31 years,” he adds of his “Na‘au Therapy” co-host. (After repeatedly asking for a partner, the company approved the idea, and program director at the time, the late Kimo Akane, approached Van Osdol to ask whom he least wanted to work with. Van Osdol replied with Apana’s name and Akane returned the next day, telling Van Osdol to meet with Apana. Within five minutes, Van Osdol believed the partnership would work.)

Currently, he has no plans to return to radio. It’s been nice, he says, to have more free time to spend with his family. But this doesn’t mean he won’t miss it entirely, as he quickly cites the connection it allowed him to make with people.

“The other thing that I miss is that interaction with our Hawaii recording artists, because if it’s not about the listener, then it’s about our very talented music artists and the music language culture that they project through their recordings.”

He is coy on future projects, but the uncertainty has not made Van Osdol nervous. “(I am) very optimistic,” he says. “There are a lot of things that I’ve had my hands in before that have suddenly opened up, and so we’re going to explore some of those.”

At the moment, this includes a book detailing his 31 years in Hawaii’s entertainment industry. He also hopes to expand his voiceover work, and possibly take on acting and other roles in front of the camera.

He will be no stranger to that, since Van Osdol has appeared on Hawaii News Now’s Sunrise since its inception. It originally began as a once-weekly piece on entertainment news and quickly turned into a daily gig that evolved to include multiple segments.

For the past 15 years, Van Osdol, who also appeared on MidWeek‘s June 20, 2012, cover, also has been game-day activities coordinator with University of Hawaii Athletics. This is among many other activities in which he regularly participates — no doubt you’ve seen him emceeing any number of special events.

“I am not sure what the future will bring,” he admits, “but I am hoping I get to still maintain those relationships with a lot of entities I’ve been fortunate to be a part of.”

While he no longer will be supporting Hawaiian music on radio airwaves, Van Osdol remains deeply devoted to it.

“Even though I am stepping into new avenues, I think the No. 1 thing that I would like people to know is that Hawaiian music — Hawaiian music artists — need the public’s support more than ever,” he says.

Carol Ai May

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Photo courtesy Carol Ai May

Photo courtesy Carol Ai May

At a young age, Carol Ai May learned from her father that nothing in life is free.

As the daughter of David C. Ai, president of City Mill, her earliest memories are of understanding that in order to have products to sell, customers must pay — herself included.

“We would walk around the store and he made sure we paid for everything we wanted,” she says.

It’s that mentality and humble understanding of what it means to operate a business that has been the backbone of the now-115-year-old company — one that May credits to her grandfather Chung Kun Ai, founder of City Mill.

“He was a man of great moral character, so he was given a chance to rebuild his business after the Great Depression because he was a man of his word,” she says. “Those lessons of never giving up and to keep trying, changing with the times and giving back to the community, are the lessons that he and my father taught us.”

Today, Ai serves as vice president of City Mill, working alongside her brother, CEO and president Steven C. Ai.

While her brother’s path with the family business always was clear, Ai admits her desire to work for the company wasn’t immediate. Prior to joining City Mill in 1989, she worked in marketing and advertising here, as well as in Boston and New York. At one point, she also owned Hawaii’s Own, a juice manufacturing company.

She sold Hawaii’s Own with the intention of spending some time as a stay-at-home mom. But then her father considered selling the business, and May found herself looking for real estate to open branches of the company in Hawaii Kai and Mililani.

“It wasn’t until after I had my own business did I realize and fully appreciate City Mill and its long legacy in Hawaii,” she says.

Despite the company’s age, it shows no signs of slowing down. In addition to eight City Mill locations, its sister company Simply Organized also is thriving, now with two stores. Future expansion is, it seems, inevitable.

“We’re looking for growth opportunities, whether it is to establish branches in locations where we’re not, or other opportunities that are complementary to our business,” says May.

In keeping with her grandfather’s philosophies, in October City Mill also drastically upgraded its computer system.

“Technology will be key to retailing in the future,” she predicts. “It already is. We want to use technology to help us service our customers more effectively and efficiently.”

Still, what remains most important at City Mill are the values that have been so deeply ingrained in the business since its inception. May is quick to point to three things: customer service, convenience and competitive pricing. But really, what it comes down to are the employees.

“This is what we strive for and that is why we work hard to hire only nice, friendly, helpful team members,” she says.

As a leader in the industry, City Mill continues to embed itself within the community by teaming up with more than 300 nonprofit organizations throughout each year.

“It’s an honor to be part of the fabric of Hawaii and the community over the past 115 years,” May says. “We are happy to give back to the community that has supported us for so long.”

Nalani Choy

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Nalani Choy | Photo courtesy Chase Conching

Nalani Choy | Photo courtesy Chase Conching

In Na Leo Pilimehana’s earliest days, the trio would travel to gigs in Nalani Choy’s ’66 Oldsmobile Cutlass convertible.

“All three of us in the front seat and all our instruments in the trunk, like the Go-Go’s,” she recalls. “The radio didn’t work, so we sang wherever we went.”

As juniors at Kamehameha Schools, friends Choy, Lehua Kalima and Angela Morales joined the concert glee club. Then the school needed musicians to play for hula dancers, marking the genesis of what would eventually become Na Leo.

A lot has changed since then — 2014 marked 30 years together. They’ve recorded 23 albums, written more than 120 original songs and have received multiple Na Hoku Hanohano Awards. Together, they also founded NLP Music, their own record label, which allows them to maintain the intellectual property of their music. It also makes Na Leo the only local musicians to have had that type of complete control during their entire career.

This, of course, doesn’t include the memories accumulated within those 30 years. For Choy, 1996 was of particular importance. It was the year Na Leo signed with Sony Music Entertainment Japan and won a Na Hoku for their single Flying With Angels.

“I always tell people, ‘Imagine what it would be like if you took your two best friends from high school and you worked with them for the next 30 years,’” says Choy. “It’s pretty fun — it’s hilarious at times.”

These days, the trio, who last appeared on MidWeek‘s cover in August 2006, may be found doing various solo activities.

Kalima released her first solo album a few years ago and is involved in the King Kamehameha Celebration. Morales performs at Aulani, A Disney Resort & Spa.

And Choy has since founded independent record label OneHawaii Music, LLC (home to musicians like Anuhea) and an entertainment company that provides cultural pro- gramming, such as ukulele lessons and lei making for conventions.

All of that in addition to serving as senior vice president with Communications Pacific, where she utilizes her combined areas of expertise to specialize in consumer marketing and community building, along with management responsibility.

“I really enjoy working at (Communications Pacific),” she says. “I am able to work with a lot of different people across many industries.

“I find something new every day I come to work.”

Still, it hasn’t kept the group from performing together. To celebrate their anniversary, Na Leo completed eight sold-out shows in Japan and a holiday tour in California.

“But mainly, we’ve been reminiscing and reconnecting with old friends and fans,” she adds. “It’s been great!”

Choy is hoping to get back into the studio with Kalima and Morales soon, to hopefully release something new in 2015. And next summer, be on the lookout for a Na Leo summer tour in Japan and the Mainland.

“If you do something as your life pursuit, you really hope that people like it and that they are somehow touched by it, by what you do,” says Choy. “So the fact that we’ve been able to do this for this long and to do as many things as we have, is really, gosh, I can’t think of anything better.

“We are truly thankful for our families, friends and fans who have supported Na Leo throughout our career,” she adds. “We celebrate these 30 years with all of you.”

Dr. Terry Shintani

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Nathalie Walker photo

Nathalie Walker photo

While in law school, Terry Shintani was flunking and on the verge of quitting.

Then a friend recommended he change his diet. Game to try anything, Shintani committed to a 10-day vegan, mostly macrobiotic diet.

At first, he felt nothing. But on the fourth day, he woke up in the middle of the night with a renewed clarity and newfound energy, and put it to use studying. Suddenly, he was catching up in classes, making the law review and ranking among the top five students.

“Changing my diet changed my mind,” he says. “It changed my mental ability.” Of course, those who have followed Shintani’s career know that the one-time lawyer really is best known for his work as a doctor who has dedicated his 27-year career to getting patients off medications by relying on healthy eating.

His recently released 12th book, The Peace Diet: Reverse Obesity, Aging and Disease by Eating for Peace of Body, Mind and Spirit, is a project that has been something of a life’s pursuit. Yes, the book provides practical and applicable advice and methods to eat a healthier diet. But it also is a reflection of the spirituality Shintani, who appeared on MidWeek‘s April 29, 1992, cover, has encountered in life that ultimately has provided him with an inner peace.

When Shintani was 6 months old, his father was diagnosed with cancer. A surgery temporarily solved the problem until Shintani was 3, when he underwent another surgery. Knowing the aggressive hold cancer takes on patients, Shintani was scared and began to pray every night, asking for his father to live.

“He never died of cancer,” he says. “So I’ll always believe that prayer had something to do with it.”

After changing his diet in college and experiencing significant changes to his mental health, Shintani says it also enhanced his spirituality and intuition.

When he needed a job, for example, he had forgotten to interview with any hospital or program. So he prayed and received a phone call out of the blue from Waianae Coast Comprehensive Health Center, saying it would like to work with him.

When he conceptualized a plan for the health center to battle obesity and instill pride in Hawaiians living in the area by returning to a traditional diet, he needed funds. He prayed, and as he met with others in the community, everyone supported him at no cost. This included a donation of 500 pounds of poi from the Tottori family.

It’s this balance among physical, emotional, spiritual and mental health that Shintani credits for much of the professional success he has achieved. And it is a concept his book discusses in much detail, backed with personal experiences and hard data.

“Through my experience, I have found that the best diet is one that helps you find inner peace — and then weight control and health follow naturally,” he writes in the book’s preface.

While the book is written specifically for vegans and those who honor that diet, Shintani says that it doesn’t mean those who are less strict won’t find value in it. Plus, with the start of the new year, Shintani says many have probably made goals to lose weight or get healthy.

“It’s hard to stick with it, but at least it’s a start.”

Dr. Shintani will host a free seminar Jan. 9-11 at MOA Wellness Center for those interested in a 10-day health program to reduce their dependency on medications. For times and to register, visit healingandyou.com.

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